Thinking Some More

I like this near empty bowl. It held so many days of colorful leaves just a short while ago. Now look at it. Some leaves, a hunk of wood, some lichen and an old rusty drill bit. It is like a little short story of interesting characters that were left to keep each other company. I thought about giving them the toss but am not ready. Not yet.

More thought is going into doing the small book of dementia poems. I know how it would be illustrated….a tether line in soft graphite that the reader follows through the pages…sometimes it is slack, other times stretched thin. And broken, and tied back up, and full of knots and frayed…but it finds its way through the pages and past each poem.

I will resist making the book accordion style even though it lends itself to one continuous piece of rope. There will be more poems than what would be wieldy in that form.

And poetry is so vertical! It would have to be similar to the last poetry book I made, “Distance Matters”. That one worked well with all those woodcuts made to fit the format. It will be a dilemma because the words want to be vertical and the tether wants horizontal. There is no way to have the tether vertical without looking like it is hanging….not a connotation I want…that’s for sure.

And poetry stanzas don’t look right side by side. That is a bit like taking the Empire State Building and making it into two adjacent high rise apartment buildings.

Plus you can only have one poem per page. Some will fill the page, others won’t. I think the tether line needs to run along the bottom of every page…maybe the longer poem pages is where it gets stretched thin or breaks to let the words in.

Here are two shorter ones I wrote two days ago and today.

Going to Town

He is the passenger.

I have buckled him in,

turned up the heat,

and backed out of the garage.

We are going to town.

There are lots of curves

to go around.

He grabs an imaginary wheel

to help me steer.

Before long we both are making

squealing, screeching noises,

and arrive laughing

and safe at our destination.

 

The Well

I tie on another length of rope

and lower the bucket deeper

into our well of memories.

We wait for the splash

as it sinks in the darkness.

I hold on tight and count to three

before pulling it back to the surface.

Together we peer into the stillness.

He watches and waits

for me to tell him

what it is

and when it was.

 

Anyway, I will draw some images of the tether line to use when I get it all figured out. The main thing is to keep writing for now.

And speaking of drawing, here are the last two gloves. This morning I started on hats…fifteen more pages to go and I can move onto my new book without the haiku and maybe a bit of color.

I will be back….

Some New Ideas

I like this picture of inside reflected on outside. Dreary day here. So here is a poem I wrote two days ago when the weather was dingy.

Winter Sky

There are so many lovely shades of grey

that could have been chosen.

But when it is going to be a cold and dreary day

what does the sky do?

It picks the only grey that looks

like a dirty white sheet.

And keeps it waiting in the dark.

so that before that lovely pinkish grey 

can arrive with dawn,

this grey is dropped over the house,

the trees, the garden, and me.

 

I spend the day watching through the window

for holes in this old sheet.

There are none.

That is probably why it is used so often

November to March.

No amount of rain will clean it.

It smells like other dirty days.

The winter sky is always ready

to pull it back out of the hamper

to float down on my world,

tucking it tight under the horizon.

 

More gloves for the drawings a day.

Warm, lined black suede gloves

make it impossible to

pick up a quarter.

 

Putting on these gloves

is like wearing a pair of

little brown Muppets.

 

Prompt writings:

You are given a box of clothes from someone extremely close who dies suddenly. Write the scene sorting through the clothes.

Look at these things! It was not as though she had bad taste. She simply had no taste. Just something to put on her body and head out the door. So as not to have to consider what colors may go together, she kept to beige and olive green. They’d look military if it weren’t for the cut of the shirts and pants. Loose on her frame and always in motion. This is the first time I have seen these clothes still. They are so empty.

Write a conversation where no one is saying what they really mean. Contrast their body language with their verbal language.

She said, “Yes, dear” staring out the window. He nodded to her back while reading his paper. Both had agreed to something that neither cared about.

How does one know when one is truly comfortable with a new lover?

When one can yawn in the face of the other’s excitement.

 

I read this book recently. Out loud to Lee. I liked the dedication the author had toward helping to save these largest owls in the world in outback Russia with rough men, vodka, makeshift equipment and exhaustive adventures. He writes so easily about the hardships endured in the most inhospitable place. I would recommend it to those who are environmentalists, lovers of birds and very rugged individuals.

As soon as I finish the latest Cormoran Strike book (I am only a tenth of the way through) I will start on one of these.

All writers start with an idea and some degree of passion to tell a story.

I like writing. It usually takes days like the one I started out with in the Winter Sky poem. One like today…rain pouring down, someone else taking care of Lee who slips further away on dismal days when he can’t be outside.

I found this from my journal writings.

“Books! They are the perfect form. In making them I become the story teller, the illustrator and the architect of the book itself, putting everything in a closed form for the viewer to hold in his hands and slowly make it come to life.” Sandy Webster

When I show the images in my sketch book of the Responsibility Hands and write about Lee’s dementia often someone will ask if I am planning on writing a book.

My answer is “No”. I don’t get anything from other’s people’s experiences about living with dementia except the worry that now I have “that” to look forward to. So I avoid them. I couldn’t do that. My life is not theirs. I respect that. It is offensive to have to listen to others push their ideas of what it takes to get through. I wrote the following as part of a letter to a friend who found himself on a pedestal of handing out advice on keeping hope:

“I don’t think that anyone needs to be taught the hunger for hope. But there are many who know beyond any doubt that the hunger for it does not lead to its arrival. We are not talking about those who are privileged to have the option of choice, the ones who have the luxury of time to find themselves, but those who are already awake and face every day knowing that it will be one spent solely in pursuit of survival. I suspect I am too much the pragmatist to believe everyone has a chance and choice for hope and calmness in their life. Not all people are privileged to have the helping hands of others nor are they in a position to hear those voices sharing a truth that could not be further from their own.”

I don’t remember if he responded.

 

The closest I have ever come to doing something like explaining dementia is this artist book interpretation. A physical interpretation of dementia. Nowhere here is a cautionary tale. No running diary of living this life we share. Just a tactile thing of what it is like and how the missing pieces are saved up in a safe place of small glimpses.

But thinking about the writing I shared the other day, If You Noticed, an idea came to me. I could write a small, illustrated book of poetry that captures the reality of dementia through small observations.

And perhaps it would be titled, “…trust the tether line.”

Here are two:

 

He Doesn’t Remember

He doesn’t remember

anything before what happened

in the last few minutes.

And a few minutes from now

this time will have gone off

to where years of minutes

keep a gate open

behind a grey mist.

And only then can the light shine

on what is left behind ….

the work of making

our next few minutes matter.

 

Yesterday

Just yesterday

he could button his shirt.

I saw it!

His hands grasped

each side of the shirt

near the collar

and he felt his way down

to the first button and hole.

Body memory took over

and down the shirt he went.

All but the last one

because that part would be tucked in.

And after the shirt

was smoothed down

he hiked up his jeans

and worked that button into place.

Found the zipper

and pulled it up.

Then he grasped both ends

of his leather belt,

put one end through the buckle,

pulled tight and fitted

the prong through the hole.

He tucked what was left into

the loops of belt and jeans.

That was yesterday.

 

So back in a couple of days…

 

 

Time Got Away

I just snuck over from the apartment where I addressed all my cards, had some tea and realized that I could not get internet to get a blog done. So now in the studio being quiet.

We had our first snow!

Now it is bitter cold!

Yesterday Lee helped me make macaroni and cheese with broccoli for the freezer. I am trying to make things simpler for us. And two days ago he was able to get the last of his leaf blowing in with some very late color in the yard.

I keep up with the drawings…

A double ikat

scarf that I made of two fabrics

with leftover cloth.

 

A nice pure linen

semi sheer scarf of blues/greys

from Whidby Island.

 

Lee’s worn work glove

the left hand one that is not

as dirty as right.

 

My winter work glove

pressed into use this morning

to spread corn and seed.

 

Now a few more random journal sketches.

And some more writings from old journals.

But first these next few lines are what I forgot to copy to the last post on how words get on the page.

 

 

Sometimes the character is so strong that they will be there later with more of their story.

They don’t give it all away in one sitting….that would be like writing a novel.

They just showed up to tell me something, share a feeling.

They are very real at that moment and I pay attention before they leave me holding a pen over a blank pad of paper.

That is how the writing happens.

I then put it on the computer so I can look at it. It is more clinical now and less a private conversation.

Some words are changed or omitted because they interfere too much. This happens because I am getting in the way of the essence of the “story”.

I stay pretty much with the idea of stanzas. They let me breathe in the space between and pause to see if that was right….is that what happened or was said or was felt.

And then an ending comes quite naturally. I don’t need to make them say more. I give a nod and step back. And I am now okay with sharing this small glimpse of feeling with someone else.

 

Now some prompts I liked…

Prompts:

Telling a Lie

I tell lies all the time – say something nice when I would just as soon not.

“Oh, that’s nice.” And it really is not nice or I don’t give a rip about whatever I said was nice.

Usually I don’t know what I said, “Oh, that’s nice” to – I am not even paying attention. It is a comment I use while I am making up another lie…..mmmm……about needing to be someplace else.

A Window

This window is my escape. I can look through it and feel my body follow my gaze.

I am no longer here in this room with these people. I am walking through the grass, going toward the forest.

I am going to the first tree I see and climb it.

Then I am going to sit on a branch – face this window and wonder what I am missing.

 

I am now going to leave you with my cat, Sadie, who needed a blanket yesterday.

And the finished Christmas cards. I made small etchings of scraps of cloth in the shape of a tree and then took thread, made a French knot at the top and stitched the pieces together once the prints dried.

Here thy are with the inside message. I wish I had time to make so many more for the kind friends who have been so considerate this past year. Thank you.

Til later…