More Writing/More Drawing

Our son, Patrick, is opening that beautiful bottle of scotch from Kent. It is delicious.  Balvenie 12 year single malt. I keep up with filling pages of the Covid Coping Book 2.

It is what we all are drinking to get us through….no repeats of labels allowed.

Every couple of weeks I will get a package of labels in the mail from our friend, Marla, daughter, Amy, (always different teas) and her partner, Ben, who are using this time to clean out liquor cabinets and tea drawers. We have all become less particular during covid.

I forgot to photograph the previous days of Lee’s and my socks, so will put them in next time. But the last six pages of Drawing a Day Books are going to be covid masks.

A comfortable

covid mask from Medicare

is so wearable.

 

Safe Mate covid mask

purchased from Amazon Prime,

three colors, one price.

 

And another old journal writing about Australia.

Train to Ararat

I watch the land slip by and imagine how it was before farms and houses. The land barely lifts here and there are low valleys, low hills and everywhere it is dry and brown – a greyed brown. Eucalyptus are gathered in groups along the landscape. Old decrepit ones seem abandoned by their kind as they struggle alone to survive. My fellow travelers read a kindle and a magazine unaware and seemingly immune to the drama flying by our window. Tiny dust devils swirl upward here and there across the plowed fields in search of a cloud that may bring moisture and push them back down. I don’t see it happening today between Baran and Ararat, VIC. Just what are those cattle all chewing out there?

I can’t remember if I shared that one before…here is another…

2007

Is there anything like a belly full of extraordinary food and wine – then locked up in a single cabin first class on the Ghan swaying your way into the Northern Territory and listening to the anti war version of Waltzing Matilda” I think not!

I am washed, lotioned and propped up in a space that is pie shaped, 24” at the pillow end and six feet down it is panning to 48”. My door to the hall is across from my daughter Amy’s cabin. A wash basin folds up not six inches from my right foot. All I need is here in this space.

A wonderful dinner with Aussies – full of politics, wineries and family talks and a promise to meet at breakfast. Then there is the window- more than a metre and open to the outback of Australia. What is out there in the dark? I know it is wild, mysterious and beautiful – nothing less. I will sleep through some of this and be sorry that I did. But I am older now than the last time and can trust Australia to be here when I wake. Good night.

And more from the other pages of books. Here I took pages from a John C Campbell catalog and then printed them using a gelatin plate, stencils and acrylic paint. They were bound into a book that serves no purpose other than to have pretty pages and I thought would be a good sample to inspire students in a printmaking class.

And you can see in my desire to have no waste, the folios are of different widths.

Two days ago I drew these lines in a sketch book. They are my matrix for the tether lines in the new poetry book.

After I photographed the sketch I put it into a photo app program to get more of what I wanted to use going from page to page.

I am going to stop and get some tea. And here is a poem about tea that I will use in the book.

Tea Leaves

I tilt the pot and pour

the last of my herbal tea.

Watch the leaves

settle in the bottom.

 

Wondering about

the hidden messages

of tea leaves,

I pull the cup closer.

 

It smells delicious.

And before I know it

I have altered what

they were trying to tell me.

til later…

 

Something Beautiful and Some Book Ideas

Have you ever seen anything so beautiful as this leaf. Barbara comes on Thursdays when she can to have lunch with Lee and me. She brought the other ones that I tied into a stack so as to see how they would push against each other as they dried. This leaf that has a waxy feel had fallen off the plant and into a protected place where it became this.

Right away I photographed it with a paddle made from Tasmanian Sassafras and purchased at the Salamanca Market in Hobart some years ago for Lee.

I tucked it away with this curling stack.

And the drawings a day.

A hat from many

bought in airport shops for Lee.

Here is New Zealand.

 

Hawaiian straw hat

A bit rumpled and crumpled

But can do the job.

 

Leather moccasins

Lee’s favorite any time

he is in the house.

 

Shoes that Lee will wear

if he is in the right mood

to fit his feet in.

 

And some more journal writings:

 

Recipes…

My Savoury Muffins when away

Approx.

2 cups flour

1 tsp baking powder

½ tsp baking soda

½ tsp salt

Mix above together.

Stir in approx.

½ cup chopped sundried tomatoes

½ cup chopped sliced ham

2 slices cheddar cheese cut up

½ cup shredded parmesan

1 ½ tsp chopped chives

Dash of hot sauce.

Mix in

2 eggs with one egg’s worth of milk

Mix til just moist.

Shape in flat balls and bake 200 degrees celsius  (375 Farenheit) for 20 to 25 minutes.

 

From a bartender at the International Club in Stanthorpe, Queensland.

Whiskey Mac

Equal parts Stones Ginger wine and scotch whiskey.

 

The latest poem for the Tether Book:

The Sun Is Shining

The sun is shining

and he wants to be outside.

Back at work in the yard

lining up rocks

or raking leaves into rows.

 

But when clouds come

and put his day in shadow,

his mind will follow.

He drops the rake

and wanders into darkness.

 

All I can do is call him back

with hot chocolate,

a funny story,

or point to a bird out the window

still singing.

 

I will start working on drawing the tether line while our son is here. I can go back in the studio then. I don’t think the soft graphite will do…it needs to be a simple black pen tether line that morphs through the pages below the poetry. Illustrations are supposed to be in service to the text, not distract from it.

I just need to remember to pick it up where it left off on the previous page. Easy.

Speaking of books and making them fit the content, I still have this one left from an idea I had years ago. The idea was that these blank journals were to be used as diaries. And how could I get this across without the old lock and key. I came up with this plan of having to wrap and unwrap it to access the pages. They all had wooden covers that I could drill a ¾” in. Then larks head on a long cord to be braided with a weight on the end…sometimes a large bead, sometimes a coin. After you wrote your secrets, you were meant to wrap the cord over the top and keeping it loose, go inside the front cover, out the hole and pull the bead tight. Then reverse those steps to “unlock” the diary. It seemed simple to me but I had to make a drawing of the steps to place inside each one I sold. Something about pulling that bead down tight made everything inside seem so private.

I also made them with thick book board but must have sold those.

That should do it for now.

Stay safe.

Time Got Away

I just snuck over from the apartment where I addressed all my cards, had some tea and realized that I could not get internet to get a blog done. So now in the studio being quiet.

We had our first snow!

Now it is bitter cold!

Yesterday Lee helped me make macaroni and cheese with broccoli for the freezer. I am trying to make things simpler for us. And two days ago he was able to get the last of his leaf blowing in with some very late color in the yard.

I keep up with the drawings…

A double ikat

scarf that I made of two fabrics

with leftover cloth.

 

A nice pure linen

semi sheer scarf of blues/greys

from Whidby Island.

 

Lee’s worn work glove

the left hand one that is not

as dirty as right.

 

My winter work glove

pressed into use this morning

to spread corn and seed.

 

Now a few more random journal sketches.

And some more writings from old journals.

But first these next few lines are what I forgot to copy to the last post on how words get on the page.

 

 

Sometimes the character is so strong that they will be there later with more of their story.

They don’t give it all away in one sitting….that would be like writing a novel.

They just showed up to tell me something, share a feeling.

They are very real at that moment and I pay attention before they leave me holding a pen over a blank pad of paper.

That is how the writing happens.

I then put it on the computer so I can look at it. It is more clinical now and less a private conversation.

Some words are changed or omitted because they interfere too much. This happens because I am getting in the way of the essence of the “story”.

I stay pretty much with the idea of stanzas. They let me breathe in the space between and pause to see if that was right….is that what happened or was said or was felt.

And then an ending comes quite naturally. I don’t need to make them say more. I give a nod and step back. And I am now okay with sharing this small glimpse of feeling with someone else.

 

Now some prompts I liked…

Prompts:

Telling a Lie

I tell lies all the time – say something nice when I would just as soon not.

“Oh, that’s nice.” And it really is not nice or I don’t give a rip about whatever I said was nice.

Usually I don’t know what I said, “Oh, that’s nice” to – I am not even paying attention. It is a comment I use while I am making up another lie…..mmmm……about needing to be someplace else.

A Window

This window is my escape. I can look through it and feel my body follow my gaze.

I am no longer here in this room with these people. I am walking through the grass, going toward the forest.

I am going to the first tree I see and climb it.

Then I am going to sit on a branch – face this window and wonder what I am missing.

 

I am now going to leave you with my cat, Sadie, who needed a blanket yesterday.

And the finished Christmas cards. I made small etchings of scraps of cloth in the shape of a tree and then took thread, made a French knot at the top and stitched the pieces together once the prints dried.

Here thy are with the inside message. I wish I had time to make so many more for the kind friends who have been so considerate this past year. Thank you.

Til later…

Doing a Full On Catch Up

These are finished. And below are some stages of the little racoon who is a bit worried about how to get down.

And now the start of a fox.

And the last two days of drawings…

Some very dreadful

knitted scarves are now tossed in

the cat bed basket.

 

Drawing these two scarves

I understand why the cats

gave up their basket.

And now back to the book made for thinking through houses because it also worked to get the ideas surrounding a series of three boats.

And then the opening line of thinking about a series of boats.

This boat goes nowhere without assistance. Most often by way of his wagon chauffer. The boat either does not know about water or just is unaware of his primary function – which is staying afloat in water.

I think the story is about independence – going our own way and the supportive relationships that are there for us when needed. The boat will not acknowledge his origins of intention – to be on water – in water. The boat stays on land and takes every opportunity to see if this could be his place – can he belong here. How does it feel to be “a boat out of water?”

The next boat – deeper – more volume – less weighty looking – scrim over bamboo frame – plaster – Japanese lace paper on outside, matte spray, gesso.

This boat is like

A nest

A bird

A cloud

A feather

An egg

This boat is afraid of nothing. It likes to be in the air. It takes things away – not toward – to be in the boat is to be on your way to an adventure. The boat’s companion will likely be a kite – an assistant for his airborne travels. It is the reverse of a rock.

Small pamphlet books fill the boat front to back – each signature cut in the shape of the boat belly. Papers of rusted vellum and laser ink jet office – also stitched with occasional gold metallic threads that extend beyond page and therefore stick out of the boat – slightly above the pages that are just above the boats sides/height.

I am surprised that when completed it was about returning and not leaving as planned. I feel very good about this piece, it has my mark all over it.

It sits well and can be hung to rock slowly in the air. The metallic gold paint over the plastered and gessoed and then Japanese papered surface is coated with earth pigments from here and then heavily shellacked, has a look of old bronze. A very good feel to the hands. I am titling it, Return Voyage of Recorded Memories. Gold threads represent the threads of recollections and their fragmented way of coming back to us.

And built in envelopes to hold samples of materials used…

Finished the original boat – wheels, sail and rudder attached.

 

Another boat that does not get wet! Roots on oars – rock as anchor. Branches of dead Japanese maple as sails. Boat filled with lichen moss. Boat body is canoe-shaped of bamboo frame then cloth/shellac- all covered with a scrim like fabric that has been dyed with tea. It was a curtain in a previously owned house.

The boat is anchored to the land – very much about the land and Nature. Unlike the boat with wheels this boat cannot move – it has a ghost like quality. I love the proportions – this one may be my favorite so far. The big one floats in the air, the next one rolls on wheels. This one has a sense of wanting to be in its place. Not one that has been abandoned to the elements.

There are still blank pages in that book but I am through using it. The only reason it did not get buried with the houses is because I liked to remind myself of how I can think an artwork through…get all the messy bits out of the way and keep control of my intentions.

And now for something I wanted to follow up on.

Putting words on a page…

I am not writing a short story or a longer piece of fiction. I am not writing a memoir…but I do wonder what starts the flow of words onto a page.

And after giving it some thought, this is how the following piece came to be.

I am alone with no interruptions.

A cloudy day helps…sparkling sun brings distractions I think.

A legal pad and pen are blank and right there waiting.

I wait until I see something or someone in my imagination that needs looking at, needs listening to…

And then it is all down on that pad…in separate lines…almost breathless.

It is not biographical…I am just paying attention.

I like the words. I like the image. It is like a short, very short, film.

Sometimes the character is so strong that they will be there later with more of their story.

 

If You Looked

 

If you looked

you would have

seen it in her face.

The way she looked

just now.

 

A glance in your direction

before she looked away,

back at her hands

holding onto each other

in her lap.

 

 

You would have noticed

how much was said

just then

in the way  she would not

return your gaze.

 

And saw how

her mouth was set,

her shoulders tensed,

how she pulled back

when you spoke.

 

If you looked

you would know

that you will stay on

the other side of the wall

and out of arms reach.

 

Leave her now

and let her go back

to the place

behind the door

that has no room for you

 

She will not look back at you

and does not want to hear

what you remember.

And you would have known that

if you looked.

 

Yes, I know. I could be visited by a little boy and his puppy. But his feelings and ours, for that matter, are plastered all over facebook.

But if that kid ever wanted to tell someone how much he really wanted a cat, he will let me know.

Til later