Australia – A Memoir

outback lo res

I have pretty much made all my plans for the twelfth trip to Australia. Some teaching, some quiet time and a few days of special time working with some of the students who have shown up so often in my classes that we just want to continue working together. I can get it all done in just a bit over a month and be back home. A few years ago I started writing down the impressions and experiences of Australia. So for the next few posts, it will be like a serial of sorts. An installment of the memorable events that have happened down under.

Australia – The Indelible Marks Left Behind

Sandy Webster

It is impossible to express, this feeling of being deeply branded by Australia. How does one put into words the depth of the marks that the country and its people have left on me. I think it started when I was a child with early National Geographic images of something so foreign looking and yet familiar. Raised in a rural environment I was drawn to those dramatic country scenes. The men and women of the Outback struggling with keeping themselves and their livestock alive in what looked like insurmountable dangers of fire, flood, and distance. Brave, strong people I thought as a child. Friendly, open and honest and busy with lives full of action. Men forever wrestling sheep and cattle and one another. Women surviving on what little they had while they waited and waited for the next demand to take its toll. What I couldn’t imagine from the pictures I saw, the writers of Australia filled in nicely. From convict colonies to contemporary urban scenarios, Australia’s writers, photographers and artists brought their country to life.

In 1997 I got the chance to go there and see for myself how real it all was. I would teach workshops for the Fibre Forum and be housed and shown the sights. It was magic. The air was clearer, the horizon further away, the sky bigger and bluer, the smells new and different, the sounds exotic and louder, the voices happy-sounding and full of strange expressions. I took it all in and took notes…. constant notes. I photographed everything…..the picture being the physical evidence of my presence in this country. I did not know then that the notes and quick scribbles and drawings would be of more importance to me than the photos…..photos that gave too much information and missed the essence of me being there, at that moment in time. On that first visit I vividly recall my hosts taking me from Canberra to Mittigong and making sure to be in Golburn for a pre-arranged luncheon where the owner would first serenade me with the didgeridoo and then a Civil War melody on his violin because it was the closest he could get to music of where I traveled from. The thoughtfulness that went into giving me that experience as a welcome to their country was the most wonderful and memorable welcome to a country I would never get enough of.

hills

I asked questions, so many questions that seem silly and ignorant in retrospect. But sometimes not. Like asking my first driver on a walk into the countryside of Canberra if she ever just wanted to keep walking, walking further into the outback. And if she could hear the sound of what I interpreted as the “sound of waiting”…..women waiting for their children to return, the postman to come, the rain to come, their husband to return from long distances in dangerous places. She politely replied, “No, not really.” And she warned me not to keep walking myself. “People are lost that way you know, searching for something out there.”

behind the trees

On that first visit to Australia I went to Alice Springs and Uluru…the very soul of Australia. A private pilot flew me out there and banked around Uluru and the Olgas so I could get good photos from the air at dawn.  A guide who had last minute cancellations ended up with just me to drive around and accompany on hikes through the Olgas. At the base of Uluru he dropped me off near routes that had few if any tourists and waited to take me to the next back way in. He suggested what I should order for lunch while he went off to catch a thorny lizard for me to see close up before letting it go in the desert. He brought me dark beer to drink while I sat with him and watched the sunset on Uluru, then drove me back to the airport where the pilot waited to take me back to Alice Springs.

Uluru and fence

The following day I went to a Coroboree and let the Aboriginal spokesman, George, cut my hair to add to his string while thanking me and saying that the Japanese tourists did not offer theirs. He said he and I had hair with more tooth to grab on. I breathed him deep into my lungs so as to have him and his country stay inside me for as long as possible. Later that morning I ate a witchetty grub and other bush tucker. It was at this Coroboree that I bought my first Australian Aboriginal Art.

aboriginal art

I never thought I was going to come back. I was intent on filling myself and my suitcases with Australia.

Turning Seventy-Two Years Old

river threads

Yesterday I turned 72 years of age. I had no special plans other than washing and ironing after a week of feeling my way through five days of wood engraving in an exceptionally inspiring class. My fellow students were very good at seeing where and how to add the light and our instructor is simply the best and most generous at teaching.

My own work (three wood blocks engraved) was acceptable but leaned more toward the harsher lines of wood cuts than engravings. I need more practice. But engravings require end grain blocks of wood that are not so easy to come by. I could make my own like I did more than a few years back and hope that the seams where they must be pieced together do not show in the finished print or I could just go back to wood cuts where extra marks matter less.

Here are some of the engravings I did with the same instructor about six years ago.

samurai wood engraving

102_4024

And another I did on my own later, a small one used for hand printed Christmas cards.

pine cone wood engraving

And here is one of the many wood cuts I have done on the plank side of a wooden board. This is part of a series of owls with backgrounds carved on the opposite side of the block and colored with a different ink.

barn owl

And now for this past five days of engraving.  Here is the first one. A small block about 2.5″ square carved with a crow’s head taken from a large graphite and acrylic painting I did and hangs in the studio.

crow block and prints

Then onto one of my favorite subjects: Eucalyptus leaves and pods. Here I used one of my own hand made glued up blocks that had worm holes in it. They could be somewhat disquised within the bug holes so prevalent in gum leaves.

gum nut block and print

And another finished print of this image.

gum nut print on green

Finally a 2.5″ x 4″ block of an interpretation of Storied House, a mixed media structure of a house with an organza book in the attic. I decided to see how it would be printed as a book plate.

Storied house block with sketchbook

storied house ex libris

I really like the sound of wood being shaved away from the matrix. I even like slipping and having to adapt the new mark into the image. But my hands get sore. My older hands get sore from the gouging, sharpening, gouging some more. My back hunched over the block aches because I just do not want to get up and take a break when I think that any moment now I will have the perfect block carved and ready to print.

This week I will give myself and my body a break and go back to assembling the Lost Time books that I printed and cut up before the engraving class. More Epson ink has arrived and I may just do the last five of the Diner Time Circus book. Or…..design another wood block image to start on when my hands recover.

 

New Work for New Classes

Songline and Land Marks

These are the cover views of two new books that include textiles, stitch, woven shifu and white line printmaking. They also have been colored with some of my watercolors made from the soils of Australia. The one on the left has one of my favorite colors, Burke and Wills Track Gold Ochre. Here are some views of their pages.

Songline open

This one is called Songline and the one below is Land Marks.

Land Marks detail Land Marks open to page

There are envelopes placed next to stitched in prints in this book. Here it is holding a bit of shifu made from a thai kozo paper that I clean up the glass sheet and muller with after processing watercolors.

I am planning on returning to Australia to teach another six day masters class and then a intensive textile and pigments class for three days. To those I will add another class at the Baldessin Press Studio where I go to relax and surround myself with printmaking and interesting people. Hopefully this time I will be able to spend some extra time with favorite students that have returned to my classes over and over again. We would just like to share space while we work together.  No teaching and no expectations other than what we place on ourselves. Forays out for flat whites and an occasional dinner would be also be in order. I will start looking for a good place to meet up. It is not too early to start planning.

There are very interesting fellow teachers along the way at the conferences but I have always preferred to spend my time with the students. After all they are why I am there in the first place. Many students can name the teacher who has inspired them the most but for me it is the students, So we are going to make a plan and see if it can work out for all of us.

A note on my last blog. The novella is now in the hands of an editor. When I hear from her I can start to either begin again with another story or just see where her comments lead me.

Tomorrow I take some large canvases off to a new gallery. They have been hanging in the studio since their first outing two years ago.  The blank walls are going to follow the blank book shelves as I begin to rid myself of the “unnecessary”.

I might just have to print up and bind the last five of the Circus Diner Books. My collector has disappeared, our waitress is heading off to  a new career at the casino and I have finished the Dog series. Now I will spend Sunday mornings working on “Napkin Wrapper Occupations.” It is doubtful there are many more books that I will produce in limited editions. Other book artists can get over $200 per book and I am lucky to get the cost of ink and paper and a fraction of my time at $20 each on an edition of only twenty.  “Occupations” might be just too hard for me to resist. Since I will be the new collector, I can see them all gathered at the end of the series at a jobs market or meeting up in a diner. Some of them could even go on dates. All these thoughts and I haven’t even starting tearing the paper. Which by the way has returned to the old maroon and white. More later.

That’s it for the week.

A Very Large Thank You to Australia

thank yous 2

These are some of the “thank yous” I receive from students in Australia. They always come as a surprise at the end of a workshop because the students are so clever at keeping them hidden until a formal presentation on the last day. This does not happen to me here in this country but over the last nineteen years I have quite a collection of them from down under. I can’t read them at the time they are given. It’s the “good-bye” parts that I don’t do well with. But isn’t this a lovely thing to do?

 

thank yous 3

It was a wonderful trip and so much was done in the twenty-eight days. Beginning down in Tasmania and then traveling to Melbourne. From here friends took me to Baldessin Press to work on my own and teach a workshop. Along the way we always find microbreweries and this time added a gin distillery. All before lunch!

four pillars

four pillars gin tasting

four pillars vase

home at baldessin

Leaving Baldessin Press is not easy. I managed to get a terrific lesson in photo polymer plate printing and made several dry point etching prints. I taught a two day workshop in book bindings for the addition of prints and received cooking tips from Silvi. Here is what I made for my Art Group meeting last evening using her way of cooking “pies.”

Silvi's pies

She uses filo dough (I substituted puff pastry sheets), then mixes an egg with ricotta cheese, spreads it over the dough, adds whatever vegetables are handy and bakes for about 45-60 minutes on medium high temperature. It was delicious and so simple. I especially liked the beet, mushroom, spinach and onion one. A sprinkling of Parmesan on the top before baking also added some saltiness. Very good with a deep red wine.

flat white

I will miss the best coffee ever anywhere. In the airport in Los Angeles Friday I heard a man tell another that even in Italy the coffee can’t measure up to what you get anywhere in Melbourne. I think he is correct on that. Flat whites are what I ordered every time. Here are some other things I will miss about Australia.

Eucalyptus Pink

wallabys watching

emu curious

Halls Gap big eucalypt

It was a wonderful trip and I miss it already. Now I am planning on doing it all over again next year.