Blog

Rough Week

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Not much to say this week that has not already been said. Thanks to those who were consoling in our shared grief.  Our country has shown colors we never knew we had. Each day gets better because we are at least together in wishing for the best. Today is Art Group here and we will get angry together one more time and then retreat to our studios. Our private sanctuaries where hearts and hands work together to make something, anything to express how we feel.

Below is a piece I did over twenty-five years ago about our divisiveness.

brotherhoods

Next week I will be back on track….promise.

Collector’s Boxes

collection-houses

I am back in the studio distracting myself from this horrific election. So glad we sent in absentee ballots a couple of weeks ago. I do not think I could face the voters who seem totally incapable of critical thinking. There are some acquaintances that I will not be able to keep as close as I used to. This has been a costly time for us here in the United States, and I am sickened by the short-sighted frustrations of those unable to consider the reality of our times.

So the solution is just keep my head down and go to work.

I dug out some old stamps that I made during undergraduate school, so some of them are over twenty years old. Next I pulled some of the gelatin plate walnut stained prints from the string line in the studio. Turning them in various directions, I settled on sort of a theme….The Collectors. This lets me put some bits and pieces inside with them. It lets me make a house for them to keep their collections. A person and crows make the selections and I willingly give it to them….too much stuff anyway.

Here are some of things beside imagery that is being picked over.

collectors-stuff

And here is the first house completed. I made a hole near the peak of the roof with my Japanese hole punch so that if it is hung, it hangs tight against the wall.

collectors-box-1

These are appealing to the mixed media artist that is easy for me to fall into. Again I think that is because we gather things that look interesting and then for years have no idea what or why we have it. And there are those lovely little bits of Nature that all remind me of a particular place and season.  And I can wrap or stitch threads here and there. Maybe even stitch into the next panel before it is fixed into the house. Both pieces so far have clothes lines in them. I think this is an influence of recently stringing one up here at home….first one since we moved to North Carolina in 1992.

I have missed the building. Every so many years Lee and I have built a new place. But not any more. This is where we are and will stay. At this point in our lives it is best to be around the familiar and not become confused with change.

So for now I will make these little houses. I used to make so many. See below.

cropped-storied-housegreentea-house-openpenland-book-out-of-the-houseinterlude-editions-outside-assembledinterlude-editions-interior-assembledwebpagecabinetsarrowmontjournals2

Next week I will post more pictures of new houses for the little collectors. In the meantime, wish us luck tomorrow.

 

Making More Loose Ends to Pick Up – Later

into-the-woods

It is not a very colorful fall here. Not like last year, too dry for strong colors. But I have managed to work on more textiles beyond the chemical rusting of the week before. Here are some of those efforts using lots of ferrous sulfate and black tea and a pinch of caustic soda.

aussie-pants grey-shirt canvas-on-rosemaryscrim

I recolored some Australian repurposed pants that had been dyed with some mollusk shells and were now faded. Next a shirt I bought that was a bit too yellowy and an old hunk of canvas. Then some scrim and a loosely woven silk scarf I bought in Australia to do some coloring on. See below.

gauzy-scarf-detail

I liked it but it was a bit too creamy. I knew I would not make it a first choice from the scarf stack. So it went back into the iron and tea pot for some greying down. It was much better losing the whitish parts. My cat, Spooky loved the results.

spooky-on-scarf

This week I was back at the dyeing pots with the gathering of leaves and attempting a bit of contact printing. There was an old pashmena shawl that was a stained pale yellow/green. I wrapped in what leaves I had in the yard and tried to get something to happen.

pashmena-back-in-pot

Pretty good on one end so this morning I dipped the other end in again. Once rinsed and hung on the line it became more soft and grey toned. Here it is with the loosely woven silk greyish scarf that now has one line of kantha stitching in place. I am going to add weight and some added interest by stitching this running stitch all the way across the scarf. Finding this old spool of ecru silk from my earlier weaving days was just perfect for the grey scarf and easy to follow the open holes to keep the stitching somewhat straight.

Here they are next to each other on the board shear in the studio.

scarves-with-silk-thread

And another detail of the now much better pashmena.

pashmena-detail

I also tried some watercolor papers with not much success and lokta paper with no success.

contact-prints-on-wc-papers

I am getting friends who have part time homes here to record their residence with contact prints using plants from their yards. Today one of them went home with her bundle still wrapped up because when we first unwrapped it, not much was too exciting. So we are leaving it til later in the week to undo. Another friend will be over tomorrow to make her fabric piece up.

But I am thinking it is a bit late in the year for the leaves to be giving us much. Tomorrow I might just take the leaves from the Japanese maples. They always seem successful. Maybe a bit of black walnut leaves as well…can’t go wrong there. But these colorful oaks and maples are not transferring so well right now.

I will post a picture of the kantha stitched scarf when it is finished….and when I get a decent print on some lokta papers.

So Many Directions – Remembering Arlene

arlene-teal-collage

Sometimes I feel like the person depicted on this wonderful assemblage. It was given to me as a thank you gift from an older woman named Arlene who was in a mixed media class of mine at Arrowmont about fifteen years ago. She had a knack for just picking things up and sticking or tying them down. I keep this piece in plain sight in my studio as inspiration about what I should be doing as a maker…..just make. But more often than not I will have to think of the reason I am making something. I wish I could be more like Arlene…..just do it. Here she is in another one of my classes there at Arrowmont working on a box making class titled, “……Placement for Memory”. We were making containers like books and baskets to put our mementos into them as well as boxes. She did not want to make a box when she had “a perfectly good cookie tin” with her.

arlene-lo-res

Arlene did some very serious work about her family gatherings as a child. She had an old table cloth that became the background for a large wall hanging with the china plates attached and something akin to place cards as I remember. There never was a question about how to do something with Arlene. Just do it. Just care enough to get on with it. Get it done and move on. No wonder this many years later, and now into the decade approaching her eighty years at the time we met, I feel inspired all over again by Arlene. Below is the seventh decade panel in the Textile Scrapbook I am slowly working on.

scrapbook-7th-decade

This one is like the sixth decade one only more travel to France and Italy and of course,  more Australia. Arlene would have loved this project and heaven knows she would have had the ephemera of memories to tie and stitch into place. There is lots more stitching to do on this one but it is nice to open the box I keep them all in and remember.

Aside from this work there is a batch of gelatin prints hanging on the wall in the studio this week. My friend came down to work in the studio and we made gelatin plates and then went about making the prints. I decided to keep mine to walnut ink and some black printmaking inks.

gelatin-platesgelatin-plates-for-crowsgelatin-plate-sanded

gelatin-plate-plaited

This larger image is one where I plaited pages that have been sanded to a velvet surface into another image with the inks dripping through overworked gelatin prints. Turned one way it the trees and upside down it is a path going into the woods. There is something about them that intrigues me for drawing into, turning into images for books or poetry. In the above images there is a set of three that cry out for wood block prints of crows worked into them. Many possibilities here.

Tomorrow three students come to the studio for a day of chemical rusting. I will be able to resupply my pages to add images with graphite. Next week I will draw and talk about another project going on.  There is nothing that I am doing that requires too much thinking nor too much time. I feel a bit like a BB in a box car as we used to say. Bouncing and ricocheting from one thing to another.