Blog

My Mind is on Australia

Shearers kitchen
image-1055
I am rather wrapped up in returning to Australia and find myself looking at images that have captured the feeling of down under. This is a small egg tempera painting I did when returning home from there a few years ago. I had spent time doing a workshop with Nalda Searles at a sheep shearers quarters out in mid Victoria, Allendale I think was the name of the town. This was from a photo I took of the kitchen stove. It was massive and when I stood in front of it and no one else was around I could feel the presence of those who gathered here before going out to work with the sheep.

I would have sketched the stove as well but every bit of my time there with Nalda I was intent on doing her assignments. For some it was a social gathering as well as workshop and I would find places to be alone and think about my work, this place, its history and how far I travel to have experiences like these. I still have the straw bits I pieced together with threads and cloth. But they seem out of place here in North Carolina. I might dig them out and do something with them or maybe just throw them out and be content with this painting, this memory.

Australia sketchbook ' class=
image-1056

I am also revisiting sketchbooks from other times in Australia. This is a favorite page about Jude’s place near Hobart, Tasmania. I always loved how she told me where the airport was…..”just past the moon.” She has taken me in so many times that I know just where to find the lovely tea bowl to use for rinsing my watercolor brush.

 

Australia sketchbook ' class=
image-1057

And this old sketchbook where I was trying to capture all the strange little things on the ground at a place near Katherine in the Northern Territory. The most beautiful green ant nest made of carefully placed dead leaves, all the same leaf too. I could not see how they held them in place.  Beautiful sculptures.  The view from inside must have been magic.

gumtree blossom watercolor
image-1058

And just a couple more watercolors from sketchbooks and memories.

waratah watercolor
image-1059

More Books for Australia

OLYMPUS DIGITAL CAMERA
image-1036
Here are some other small journals I am taking to Australia next month. I will be gone for five weeks doing a series of workshops over there. The covers are made from a quality card stock that has been printed on both sides using photographs I have taken in Australia over the years. Images must be lined up perfectly to get the two windows that are cut and aligned in just the right place to see a chosen framed image. The front cover is actually three concertina sections, then the spine for sewing on the text block and the back cover. It eats up the copier ink but I love the effect of peering into the cover. We could call it a “tunnel cover” book.

OLYMPUS DIGITAL CAMERA
image-1037

 

Making Books to Take to Australia

OLYMPUS DIGITAL CAMERA
image-1019
These are some of the books I have made for the market place at the teaching venues next month in Australia. The cloth ones are made using yardage I bought there several years ago from a fabric store in Alice Springs. The designer was at Mittigong NSW and told me about her shop. Her color schemes and lovely little animals unique to Australia were irresistible. Each in his own framed space made them perfect for small book covers.

The green leather ones are made from kangaroo hide I bought there a long time ago at a leather goods place in Brisbane when Adele Outeridge took me off to some her favorite places. I even found the brown kangaroo hide lashes there.

OLYMPUS DIGITAL CAMERA
image-1020

And this is one of the twelve altered white line relief prints with stitches and materials also collected in Australia. Each one has an envelope with part of a relief print made here in my studio.

 

The Cultural Exchange Game

I am revisiting this game board that I made while in Australia 2001 or 2003. I was attending a basket conference and was invited to use whatever I wanted in the abundance of basket materials and found objects. I tried looking around at what each of the others was making so I could follow along. It struck me how much those of us from somewhere else would very much like to fit in – sort of be one of the group. I looked across the room and took in all our similarities. We were basket makers, we spoke the same language (albeit some of Australian slang terms still escape me), most of us were women wearing casual comfortable clothing that appeared either hand sewn, dyed or decorated in some way.

I was asking questions about them and they were asking questions about me. It was the getting to know each other that prompted me to start making small stick figures. There would be a tribe of three each placed at opposite ends of a board game. And they would leave their little pod shoes behind in an attempt to get to the other end and fit themselves into the others’ shoes. How fun is that? Here is the result and rules of the game that are written on a scroll within the board/box.

Cultural Exchange Game set up lo res
image-1010

Cultural Exchange

Read completely before playing

The rules of Cultural Exchange are based on the ideas of awareness, acquaintance and acquisition. First we see (through our own eyes) that which is appealing and compelling. Our desire to go toward is further enhanced by a recognition of the familiar and need to experience another’s place or point of view.

In Cultural Exchange we will do this by traveling across the board on a designated and well-worn path to experience the other point of view through the wearing of the “others'” shoes.

The cultural “tribes” at each end consist of threee members – each with their own pair of shoes which they leave behind in an attempt to get tot the other end and position themselves in the “others” shoes.

All members of the tribe must be “wearing” the new shoes and be seeing from this new point of view before being declared the winner.

Two players control the moves of their chosen tribe by rolling the stone. The number which is uppermost will determine the number os spaces any tribal member may take along the prescribed path.

If a space is occupied it can be counted as one and tribesman pass by if he has rolled a higher number than one. If there is no space beyond he must then count out his rolled number forward and then backwards. This is typical of cultural exchange – advances of bad starts with good intentions.

If the stone shows a picture of a shoe in the uppermost position, then the tribesman may immediately advance to an empty pair of shoes at the other end – and stay put.

But if somewhere on the board a member of a tribe lands in a place with a black “X” by, arbitration occurs. This is a decision made by the “Jimmy” – a referee of tempered disposition who will decide whether the tribesman may stay or is sent home to contemplate his errors of judgment and start again.

“Jimmy” is so named for Jimmy Carter, a former US president and popular world choice for occasions of arbitration. He is placed somewhere near the center of the board in anticipation of interference.

to determine “Jimmy’s” decision, the player whose tribesman is caught in the difficult position of an “X” marked spot, will shake the black spotted stone and toss it into the rounded dish. If the black spot is up, he must return home. If not, he may stay there and continue onward in turn.

When a winner is declared or boredom sets in, all pieces are to be carefully gathered up and placed within the game box – where they may all experience an un-officiated co-mingling of views and shoes.

Play fair.

 

Cultural Exchange Tribe A shoes lo res
image-1011

Cultural Exchange Tribe B shoes lo res
image-1012