This is the linen shawl that was much thinner than the scarves so the damage of the natural pigments was greater. I pulled out some of the pieces of silk that were scraps tossed in with contact printing while in Australia. They looked like they might be just the right thing to patch the holes by placing the scrap behind the holes. At this point I was thinking I would wear this shawl like I would wear the scarf below. Remember last week I said I would add some beads for color…
I just randomly filled some places or followed along with the earth pigment marks. I like the double thickness of this and I like the holes. It feels good to the hand. And while selecting the earthy colors of beads to go with this scarf, I decided to rid myself of about seventy-five percent of my beads and jewelry findings. It filled a duffle bag and the recipient will make good use of them.
Anyway back to the shawl. I also had a selection of very old silk threads that I had purchased at Wafu Works in Hobart, Tasmania. It is a lovely tiny Japanese cloth and sewing shop that I manage to go to each time I am there. And each time I bring home a little something. Here are the threads.
The spooled one is a thread made in France but purchased in Goolwa, South Australia this past March. And now you can see the silk scraps pinned over holes.
And how it looks from the other side. At this point I am still thinking I can wear this.
Then removing the embroidery hoop from my stitching done to reinforce the frayed edges, I put my thumb right through the cloth. Maybe this is not so wearable after all.
Sadie likes it.
And I still like stitching on it. I still like how the silk looks. I am going to continue with it because held up to the light, it tells a story. A story of fragmentation, holding together, making do, not letting go. Plus I am guaranteed good company while I stitch. Now I am adding areas of metallic threads and am thinking of how the cracks in pottery are filled with gold to emphasize the special-ness of an everyday item.
I am also mindful of the other side and now am backing some patches with other gauzy cloth on the opposite side. Note the small whitish patch on the lower right. And then the opposite side from it.
I am not a very good stitcher but I am good at carrying on.
When I finish this and go back to my printmaking I don’t know what I can do to keep this fun little companion away from wet ink.
Til next week.