The Things I Used to Do – This is Different!

I used to weld old rusty things together with a wire welder – there is a name for it, but I can’t remember what it is, maybe a MIG welder, maybe not. One of several things I welded was two fencers for our children who are still active in the world of fencing. Our daughter runs a fencing club and our son directs fencing bouts all over the country. I am not sure that these have even held together this many years later. But finding pieces, cleaning the rust off enough to get them to stick to another and build fencers was really fun. So here they are.

Fencer 1
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Fencer 2
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Here is a detail of the second one’s front.

Fencer detail
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I even put some of the blacksmith’s discards of vines to lean this fencer up against. Most of the parts came from the local farmers who let me scrounge through their barns for interesting parts. Here is my first ever one of a bear that likely resides in pieces in a garden. They were loads of fun to do until the offers of old satellite dishes and the like starting coming in. I could see where it was going and finished up the last of the pieces in the forms of people and dogs and now my welder has been given away. Smart move, I think.

Bear
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Starting a New White Line Print

Eucalypt image
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I am starting a new white line print today based on a photograph I took of a beautiful Eucalyptus tree that I saw near the Grampians  and Bacchus Marsh this past March. It really is stunning and I wanted to see if I could capture the essence of it in white line. First I cropped the photograph to about where I wanted what would appear on the carved image. Then I drew just the parts that I thought were enough and traced that drawing. I had already determined the size board I would use and made sure my drawing was a size to fit in the right place on the board.

 

Next I transferred the image to the board using a red colored pencil over the pencil marks that are face down on the board.

Eucalypt transfer to board
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I made corrections to the drawing on the board as well as the tracing paper and original drawing. It is very necessary to keep in mind the size line that the carving tool is going to make, which is always bigger than the pencil line!

Eucalypt original drawing and board
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Once the initial carving is finished, I fill the grooves with white powder to get an idea of how it might look. Again I made changes where necessary but am very careful….you can’t add the wood back in!

Eucalypt with powder on board
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Because this is an Australian image and I have over two hundred water colors I have made from the soils from there, I am going to use them to color this image in. There are only three colors I plan on using, for the leaves a Launceston Hwy Tasmania Light Grey, for the stems an Emily Gap Northern Territory Red and Mildura New South Wales Mud Brown for the gum nuts. For now I plan on leaving the background white with just the embossed edge keeping the shape of the overall image grounded.

Here is the first pulled print. Now I am wondering if I need to use a background color or not. And if I want to enlarge the carved lines….most definitely on the outside edge of the print. But since this took most of the day to get this far, I need to take a break and return to the studio to do some tai chi and yoga stretches…..then a stint on the treadmill and migun bed with another novel being read to me. And finish the day with a nice Australian red wine.

Eucalypt first print
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New Beginnings

returning moon
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I think I used this image before but not sure exactly when. My website has been down for the past month and some of my blogs were misplaced. It has been a busy month, cleaning the studio, finishing up some work, preparing for another workshop, jurying an exhibition, organizing what needs to come next. It simply continues. The days go by, then the weeks and months with new moons flow one into the other and I assess how the time was spent.

I used to wonder if I was doing enough and if I was doing it right. How silly that was, especially when a friend and I asked those questions on an online ouija board. It seemed to take forever to spell out the word, “maybe”. How nuts was that! But I persisted with the question and continued to only ask women artist who were older than myself if they ever wondered about doing enough and doing it right. I stopped asking the questions when a printmaker who I admired told me without a second thought that it didn’t really matter. And she was right. It doesn’t. So I stopped thinking about it until just now. Now I am simply too busy with the doing and don’t really worry about whether it is right or enough.

More on Teaching

Cropped-Robert-Curiosity cabinet blog B large image
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Another “gift” from students is how they respond to your way of teaching. The woman who sent the lovely book from Australia asked if she had my permission to teach it to someone else. That is a very considerate and thoughtful thing to ask. Some students will take whatever is being taught and offer it to their own students the following week as if they had worked it all out over several attempts in as many years and filled waste bins in the process of getting it down.

I don’t get many of those types in my classes because I try to stay away from product and technique based workshops. There are times when that can’t be helped, when it is a specific technique that needs to be learned to take it to the next and more interpretive level. I will introduce them to the tools, materials and steps that they need to be familiar with and how to use them. And in so doing I also show students the tricks that I learned along the way to help in the process. It is how I learned what I am showing them. First I took an introductory workshop, read a book, went online, made something up, then spent copious hours in the studio perfecting and personalizing and practicing. All of that time goes into what I am teaching, how I am going to answer their questions, make suggestions, give encouragement and share ideas.

Quite often I begin a class by asking what they want to do. What do they really want to do in this particular class. How do they want to spend their time. Then I tell them it is my job to get them to those goals or at least on a focused path toward them. The more varied the goals are, the more exciting the class is for all of us. The more everyone is going to learn and remember.

There are many students that require easily read handouts and only goal is seeing similar end results for everyone. If I do get asked to teach something like that, I suggest that the potential student go on the internet and find what they are looking for and save their money. There is so much out there in the way of instruction toward mastering a technique or making something that not only will give them the desired product but the pleasure of learning how to do it. No instructor need be present or paid.

I received this “gift” last week as well:

“Hi Sandy,
I hope you’ve been well, and continuing to wow your students with your wonderful teaching style.
Already so much time has flown since the 4 lovely days I spent doing your workshop, but you’ll be happy to know that I have frequently used one of the two field kits I made. It’s the one with the handles, and the cover made from a charming old map of the Grampians. Got the picture?  I made it specifically for the pen and wash class I started last month, and it works a treat. It’s so compact and lightweight, it’s easy to pop it into my backpack whenever I go out, “just in case”. As a consequence, I’ve done lots more sketching and painting than I’ve ever done. Thanks to you and your encouragement, and not being prescriptive in your teaching.”
Isn’t that a lovely thing to have happen? And wasn’t she kind to take the time to let me know.
That letter arrived last week in the middle of teaching another four day class where I was teaching a workshop on “marking place” with a group of students who shared stories, enthusiasm, poetry and new ways of seeing. They have helped immensely on how to add to the experience the next time I teach this class. I come away learning so much more than I teach and thank those students for that.